Speaking / Culture Karaoke
A live, unrepeatable keynote where the audience sets the agenda. Your people request and vote for the culture questions they most want answered. Whatever they push to the top is what I tackle, live, in that order, every question paired with a song. A different show every single time.

Six frustrations every delegate has felt, and quietly accepted as the cost of a conference.
Playlist
The typical keynote playlist
Every conference · 6 tracks, 24 min · you’ve sat through all of them
Now playing
Death by PowerPoint
The idea at the heart of it
You can only be spontaneous if you have a plan. You can only improvise if you have the expertise. What’s prepared is the material: every question in the songbook is written, researched and ready. What the room decides is which of them get answered at all, in what order, and which of their own questions join them.
The journey begins weeks out and continues after the event has ended. A build-up your delegates are part of, a session they guide, and something that’s still working when they get back to their desks.
2 weeks out
Delegates submit the culture questions they care about, the ones they’d only whisper about in corridors, and vote the best ones up. What matters most rises to the top. That’s the plan.
Most keynotes are made to pick one. The details are where this one refuses. Moments that make it safe to be honest and moments that make the room laugh. Neither is an accident, and both are why a format built on karaoke is more than a metaphor.

Nobody signs their name to anything, so the honest questions turn up. If somebody submits a spicy one, it goes up on the screen wearing a parental advisory sticker, exactly like a record that earned one. It’s a joke and it’s also permission. The question people were only ever going to discuss at happy hour earns its place in the room instead.
Every question can carry one, the way requests have been done on the radio since the 50s. For everyone on the third floor. For my last toxic manager. They’re read out with the question. It’s a guaranteed laugh, and it’s written by the room.
Somebody in the audience wrote this one. Requests that aren’t in the songbook go in as covers and get voted on like everything else, which keeps content relevant and timely.

Who takes the mic
Author of Let’s Talk Culture and Lead the Room, featured in Harvard Business Review and Forbes, and more stages than I can count across the UK, Australia, New Zealand and the US. Every question in the songbook sits on research I’ve done, a book I’ve written, or a room I’ve stood in. That’s what makes the improvisation safe.
“This guy is really funny, really clever, there are a million take outs, he’s absolutely brilliant.”
Maz Farrelly
The songbook
Every one researched, paired with a song, and waiting for a room to vote it up. Or the audience can request their own.
Let It Go · Idina Menzel
this one goes out to everyone who did it themselves last week
Built for the format
Culture Karaoke runs on its own platform, built for the format: the songbook, the voting, the chart on the screen, the run sheet behind it and the page that lands afterwards. Your delegates need a code and a browser. Nothing else.
Book it for your event
A line about the event is plenty: where, when, roughly how many people, and what the room is wrestling with. I’ll come back to you within a couple of days.
Already have an event code? Join the setlist here.